Final month the College of North Texas in Denton cancelled a solo exhibition by the Brooklyn-based artist Victor Quiñonez 9 days after it opened on the School of Visible Artwork & Design (CVAD) Gallery. The exhibition, Ni de Acquí, originated on the Boston College Artwork Galleries in September 2025 and featured sculptures and mixed-media works from Quiñonez’s I.C.E. Scream sequence, which embrace massive sculptural paletas (Mexican popsicles) and implicitly critique the violent enforcement actions of US Immigration and Customs Enforcement (Ice).
In line with the artist and school members, the exhibition was closed with out advance discover, and its street-facing home windows had been coated with brown paper. In an e mail cited by Glasstire, CVAD management confirmed that UNT had terminated its mortgage settlement with Boston College and was making preparations to return the works. No detailed public rationalization has been issued, however UNT college students have staged protests and native and nationwide organisations have raised considerations in regards to the exhibition’s obvious censorship.
The exhibition included large-scale translucent paleta sculptures embedded with handcuffs and firearms, an illuminated paleta cart bearing the phrase “U.S. Division of Stolen Land Safety” and work juxtaposing Indigenous iconography, pop cultural imagery and references to up to date border politics. A public reception had been scheduled for 19 February and the exhibition was to stay on view till early Could.
An instance of one in all Victor Quiñonez’s Paleta works Courtesy of Marka27 Design Studios
The UNT college response to the present’s cancellation was swift. Members of the CVAD issued an open letter addressed to UNT’s president Harrison Keller and college management, expressing concern about what they characterised as a scarcity of transparency and the potential erosion of educational requirements, in response to Glasstire. Graduate college students at UNT adopted with their very own assertion, warning that the cancellation has created uncertainty for future thesis exhibitions. “It’s deeply disheartening that we should take into account relocating our culminating educational work resulting from considerations about institutional censorship,” the letter said, urging the college’s management to recommit to permitting freedom of speech and creative expression.
Within the days following the exhibition’s closure, college students organised a candlelit gathering exterior the shuttered gallery. Flowers, electrical candles and handwritten notes had been positioned on the ground beneath the papered-over home windows. College officers haven’t publicly cited a coverage violation, an exterior criticism or a legislative directive as the rationale for the cancellation. Nonetheless, some speculated that the choice was associated to the shifting political panorama for public larger schooling in Texas. Because the 2023 passage of Senate Invoice 17, range, fairness and inclusion workplaces and programming at public universities have been focused as directors throughout the state have navigated heightened scrutiny over campus occasions and exhibitions.
In line with transcripts obtained by Glasstire and different shops, in conferences on 10 and 11 February, Karen Hutzel, the dean of CVAD, stated that the exhibition’s cancellation was the results of an “institutional directive”that got here from higher-ups. She reportedly stated that whereas CVAD has its personal insurance policies, these are in the end outdated by the college’s authority. And, she added, amid rising scrutiny of actions at public universities from state and federal officers, guidelines and rules are “altering each day”.
In response to the exhibition’s closure, the Nationwide Coalition In opposition to Censorship and the American Civil Liberties Union of Texas despatched a letter to Keller and the secretary of UNT’s board of regents calling on the college to confess its wrongdoing. “In closing the exhibition, UNT has betrayed the rules of educational freedom, trampled upon creative freedom and really doubtless violated the First Modification,” the letter reads partly. “We urge UNT to show its recommitment to its mission and insurance policies that explicitly shield and assist artists’ and curators’ rights to discover political subject material and have interaction in social commentary in on-campus programming.”
Spokespersons for UNT and the CVAD haven’t responded to requests for remark from The Artwork Newspaper or different shops.
