The fifth version of Aberto, an annual exhibition merging artwork, structure and design, opened its most bold instalment up to now in São Paulo this month. The exhibition options six galleries and greater than 50 artists and unfolds throughout two landmarks in São Paulo: the Casa Bola, a spherical dwelling designed by the architect Eduardo Longo, and the Avenida Faria Lima, a predominant thoroughfare within the metropolis.
Members within the fifth version (till 31 Could) embrace the Brazilian galleries Fortes D’Aloia & Gabriel, Mendes Wooden DM, Luisa Strina, Nara Roesler and Almeida & Dale. Gladstone Gallery, which has areas in New York, Brussels and Seoul, is becoming a member of for the primary time.
Many of the works on this version have been newly commissioned, with the works at Casa Bola chosen to replicate the house’s personal bespoke and futuristic qualities. The co-curator, Kiki Mazzucchelli, describes the house as “half Flintstones, half Jetsons”. As a consequence of area constraints within the 135-sq.-m dwelling, Casa Bola is featured as an paintings itself, whereas the principle exhibition takes place in an adjoining three-storey warehouse.
Set up view of Aberto5 that includes Erika Verzutti’s Torre de Cacau com Notícia (2025, foreground) and a portray by Janaina Tschäpe Picture © Ruy Teixera
Guests will encounter a mixture of works with “contrasting natural and industrial characters”, together with items by Daniel Steegman Mangrane, Marina Simão, Leonor Antunes, Vivian Caccuri and others. On the highest ground, the visitor curator Fernando Serapião has organised a presentation on Longo’s follow and Casa Bola, which Longo constructed within the Seventies and the place he nonetheless resides. These supplies are mixed with Pop-era works by Claudio Tozzi and Rubens Gerchman that “convey the prevailing aesthetics within the years main as much as Casa Bola’s conception”, Mazzucchelli says, and up to date works that reply to Longo’s experimental method, like an anthropomorphic sculpture made with discovered aluminium pots and pans by Marepe.
Longo envisioned Casa Bola, or the “Ball Home”, as a prototype for sustainable dwelling and constructed the house with the least attainable supplies, incorporating particles from the demolition of a neighbouring dwelling into the mortar that covers the metal construction. The co-curator of Aberto, Claudia Moreira Salles, says the house and its surrounding advanced have been in fixed transformation for the reason that Seventies, and the crew’s curatorial method aimed to replicate “this restlessness and way of life” with a roster of artists “who embody a way of utopia”.

Set up view of Aberto5 that includes an untitled 2024 set up by Daniel Steegmann Mangrané Picture © Ruy Teixera
Salles provides: “Longo conceived Casa Bola on the peak of the Counterculture interval and was strongly influenced by that motion’s spirit of rupture. He got down to create a dwelling that might query the dominant ideas of Modernism and Brutalism—not solely in its kind, but additionally in its very idea of dwelling and constructing.”
Since its inception, Aberto, which implies “open”, has supplied the general public uncommon alternatives to expertise Modernist architectural areas in São Paulo which are principally confined to residential buildings. Filipe Assis, the founding father of Aberto, says there’s a “rising consciousness across the fragility and invisibility of vital Modernist homes in São Paulo”, together with many who “face unsure futures” as they’re demolished to make room for newer buildings. The mission goals to “rework personal or under-recognised areas into platforms for up to date dialogue”, and “contribute not solely to inventive manufacturing but additionally to cultural preservation and elevating public consciousness” about historic structure.
Assis based Aberto in 2022 in a non-public dwelling designed by Oscar Niemeyer with an exhibition centred on furnishings designed by the Brazilian architect and his daughter, Anna Maria Niemeyer. The sequence has grown significantly since then, evolving from “from an experimental initiative right into a consolidated cultural platform”, Assis says. It made its worldwide debut final yr in Paris with an exhibition about Le Corbusier and Brazil held on the Le Corbusier-designed Maison La Roche. Attendance has additionally grown tenfold for the reason that first version, which obtained round 3,000 guests, in response to the organisers.

Set up view of Aberto5 that includes O pato (2025) by Marepe Picture © Ruy Teixera
The presentation on Avenida Faria Lima options greater than 15 commissioned works by artists together with Erika Verzutti, Paulo Nimer Pjota, Regina Silveira and Daniel Jorge that have interaction with structure by Brazilian Modernists like Ruy Ohtake and Isay Weinfield. Increasing the exhibition into public area for this version is meant to create a “second of interruption” for these traversing the bustling avenue and “shift artwork from a vacation spot to an encounter”, Assis says. “It prompts the city material itself.”
Assis provides that Aberto’s development displays a “broader transformation inside Brazil’s cultural panorama, one that’s more and more interdisciplinary, experience-driven and acutely aware of its architectural heritage”. He hopes the exhibition fosters “dialogue between artwork and structure whereas increasing Brazilian up to date manufacturing each regionally and internationally”.
Aberto5, Casa Bola and Avenida Faria Lima, São Paulo, till 31 Could
