The artist Donna Lipowitz says she had the concept for her scent library whereas within the forest subsequent to her home. “It’s type of loopy, however I simply get concepts on a regular basis,” the Australia-born multisensory artist stated one afternoon at her residence in West Seattle, handmade curtains shading her huge assortment of fragrance bottles towards the solar. “I genuinely thought: wouldn’t it’s cool in the event you may borrow scents like books? And would that work? Would individuals do it? Would they simply assume it was silly?”
Up to now, nobody appears to assume it’s silly. Lipowitz debuted the primary incarnation of her Scent Lending Library in a transformed provide closet in New York in April 2025, on the Olfactory Artwork Keller in Chinatown, drawing a crowd and a line regardless of wet climate. In November 2025, the exhibition opened within the entrance home windows of Fogue Gallery in Seattle’s Georgetown neighbourhood. It has been so in style there that in April, it can transfer upstairs right into a everlasting set up house.
What’s within the library? Chanel No. 5, but in addition Bermuda Triangle. Bounce model “Outside Contemporary” dryer sheets. Eau Sauvage, created in 1966 by the perfumer Edmond Roudnitska as a masculine scent for Dior. Important oils like frankincense and eucalyptus. The odor of house (developed in 2008 by the chemist Steve Pearce for the Nationwide Aeronautics and Area Administration to assist prepare astronauts) and of Cheerios (that includes precise cereal).
Some gadgets are idea scents that Lipowitz herself created, just like the aforementioned Bermuda Triangle and It’ll Be OK, blended in 2020 utilizing aromas usually regarded as uplifting. Her Inexperienced Cicada was created for Olfactory Artwork Keller’s 2022 Portraits in Scent present and is supposed as a self-portrait of the artist, age 5, barefoot within the Australian rainforest.
Fittingly, Teen Spirit deodorant is among the many bottled scents on the Scent Lending Library in Seattle Photograph: Bess Lovejoy
There are two elements to the library: a reference part (greater than 140 scents) and a lending part (84 scents and counting). The scents are available small amber bottles with only a hint of perfume on cotton or blotter paper—sufficient to odor, to not put on—and every borrowed odor contains an old style check-out slip stamped with its return date. (One bottle, labelled “Nothing”, is solely empty.)
A part of the concept behind the library, Lipowitz says, is growing our scent literacy—coaching our noses as we prepare our muscle tissues, brains or style buds. However it’s not a lot about having the ability to detect particular odours, bloodhound-like, as it’s growing a capability to note and admire scent in a world dominated by sight and sound. Lipowitz says one customer to the library, a boy about seven years previous, smelled a bundle of tennis balls close to the scent vials (there are choose scent props round) and stated, astonished: “So does all the pieces have a odor?” She may nearly see the gears turning and the home windows opening in his thoughts.
Lipowitz additionally appreciates how the scent library has functioned (each in New York and Seattle) as a 3rd house. Folks deliver associates or make new ones there, and generally they’ve emotional experiences introduced on by scent’s means to conjure recollections. One lady, who smelled the entire library, stated she had each laughed and cried whereas doing so. “It’s like a miniseries,” Lipowitz says. A Scottish man who smelled Residence Storage—a scent Lipowitz created with help from Fogue’s proprietor Kerry Gates—was additionally dropped at tears, having made contact with the ghosts of woodworking initiatives previous.
Scent reminiscence
For my very own library expertise, I borrowed two gadgets, Clearwood and Iso E Tremendous. Each are perfumery molecules: constructing blocks of scent which can be usually artificial. Clearwood jogged my memory of patchouli, and Lipowitz stated it had been synthesised in a Swiss lab to seize the extra interesting facets of patchouli whereas avoiding the funkier elements that flip some individuals off. Iso E Tremendous, in the meantime, is likely one of the most well-known perfumery molecules and was created by Worldwide Flavors & Fragrances in 1973. I used to be fascinated by its means to odor just like the entirety of a males’s cologne in only one molecule.
I requested Lipowitz tips on how to get to know my new scents, and he or she suggested me to odor them at totally different occasions of day whereas taking notes. As I did so, I used to be shocked at how the aromas modified. I had at all times discovered the interplay of pores and skin and scent fascinating, however this confirmed me how mercurial scent might be even when pores and skin is taken out of the equation.
Generally, Iso E Tremendous smelled magnetic and scrumptious; generally, it smelled solely like a person who wished to odor costly (and thus it smelled type of low cost). To start with, I discovered Clearwood nicer to odor, though I missed the earthier undertow of actual patchouli, or imagined I did. Noon, on a chilly and cloudy Monday, Clearwood opened up into heat, whereas at different occasions it appeared sharper and extra chemical. Lipowitz advised me that our sense of odor works finest within the morning, and whereas my very own idea of “morning” is erratic, each scents smelled finest to me round 1:30am—fuller, extra nice, much less hole than earlier within the day.
The artist Donna Lipowitz at residence Photograph: Bess Lovejoy
After visiting each the library and Lipowitz’s residence, I requested the artist what makes scent artwork. She talked about a e book she had been studying by the thinker Larry Shiner, Artwork Scents: Exploring the Aesthetics of Scent and the Olfactory Arts (2020), which describes how olfactory artwork deliberately makes use of odours to create aesthetic experiences. However not like fragrances bought in a retailer, these needn’t be nice. As an alternative, they’re meant, in keeping with Lipowitz, to “problem our perceptions, specific advanced ideas and interact the viewers each bodily and intellectually”.
It’s straightforward to consider scent, a minimum of in US tradition, principally as one thing to keep away from (contemplate the destructive connotation of the phrase “smelly”) or as one thing colonised by luxurious manufacturers. However the expertise needn’t be confined to these two extremes. As I assumed in regards to the library’s enchantment, I thought of how this cultural neglect additionally means there’s room left for the adventurous to play and create refined manoeuvres. The ephemerality of scent, its unpredictability (as my very own borrowings confirmed me), can really feel thrilling. It additionally seems like a method of reinforcing the embodied human, of carving out house for deeply non-public and subjective worlds—ones that we then do our greatest to attempt to focus on and share, whether or not the immediate is the odor of house, Cheerios or strolling across the Australian rainforest at age 5.
“Actually, it’s been fairly overwhelming how in style the library has been. It seems like most people wants this,” Lipowitz says. As soon as the library has moved upstairs at Fogue, she hopes to broaden into collaborative occasions with different artists, and maybe finally into different cities. “I get excited when individuals are available who aren’t perfumers,” she says. “Or who aren’t scent individuals. I need everybody to have the ability to have a go.”
Donna Lipowitz: Scent Lending Library, Fogue Studios and Gallery, Seattle
